Saab 9-X Concept

Probably the greatest Saab that never was, the Saab 9-X was designed by Saab's then design chief Michael Mauer, and announced at the Frankfurt motorshow of September 2001.

Mauer's concept was that for the first-ever, multidynamic sports car combining the qualities of a coupe, roadster, wagon and pickup and transforming them into one extremely obliging compact sports car creation.

ush a button and it's an open-top roadster or fold down any seatbacks for flat, wagon-like cargo space, even extend the rear floor area to accommodate needs otherwise fulfilled by pickups.

The Saab 9-X is powered by a 300hp all-aluminum, 3.0-litre V6 turbocharged engine. Fibre optic headlamp technology and a completely keyless ignition system are insights to the road ahead for Saab.

At the time, in September 2001, Saab Automobile's CEO Peter Augustsson said, "I regard this car as a statement of intent, It is physical proof that Saab is embarked on an exciting journey."

The car was intended to spearhead a major product offensive from the Swedish manufacturer, with at least one new product or concept to be announced every year for the next six years. This was never to happen.

Saab Runway Friction Tester

Scandinavian Airport and Road Systems AB (SARSYS) designs, manufactures and markets friction-measurement equipment for airports.

The SARSYS Friction Tester (SFT) is a SAAB 9-5 car combined with an installed system designed for measuring friction on airports runways and taxiways. The system operates via a measuring wheel, mechanically geared to one of the rear main wheels of the base car.

Friction against the runway surface, in combination with the vertical load on the measuring wheel, creates forces on the measuring wheel mechanism that are constantly measured by the electronic sensor system. Signals from the sensor system are then processed in the SFTs computer system.

Sarsys2 By processing these signals, the computer continuously calculates the friction coefficient, the friction number and the relation between the horizontal and vertical forces acting on the measuring wheel. The computer in the SFT is pre-programmed to measure and report runway friction in accordance with standards and regulations issued by ICAO, FAA, etc.

Result is then printed on paper in diagram form and figures. The data can also be transmitted to other receivers by means of radio links or GSM- phone.

Saab has always been an innovator. Safety has always taken priority for Saab where form follows function and, it could be said, Saab has been so busy working on safety that the marketing people at ovloV have successfully convinced the world that ovloVs are the safer car.

The concern is that Saab may have lost it's emphasis on innovation and priority on safety since GM took it's 100% share of Saab back in the year 2000.

Just prior to The General's complete takeover, Saab launched the Saab 9-5 in 1997 together with it's innovative Saab Active Head Restraint system, or SAHR.

SAHR is a mechanical device that is beautifully simple. In the event of a rear-end crash, the resultant force of the driver's (or front seat passenger's) body being pushed into the seat will cause the SAHR to operate with the head restraint being push forwards andslightly upwards in order to cushion the back of the head as the body recoils after the impact. It's one of those things that is easier to see in a diagram than it is to try and explain in words. This is how CarPages put's it:

Saab's pioneering SAHR has been developed to reduce relative movement between the head and lower back. The restraint is mounted at the top of a frame, inside the seat-back, which is designed to pivot at its mid point. In a rear-end impact, the occupant's lower back is forced rearwards by inertia against the bottom portion of the seat-back. A mechanical linkage in the frame then forces the upper half, carrying the head restraint, upwards and forwards to catch the occupant's head and help minimise the amount of whiplash movement. After activation, the SAHR immediately returns to its passive position, ready for further deployment.

In any case, British automotive testers Thatcham have announced that SAHR has been awarded top marks for preventing neck injuries. Announcing the results, Thatcham Crash Research Manager Matthew Avery said:

"Saab has been a benchmark for designing seats to help prevent whiplash injury. Real world data from insurance claims shows that the Saab 9-3 with active head restraints has produced a 42 per cent reduction in whiplash injuries, compared to the previous model which did not have them."

"The 'best practice' approach from Saab was a fundamental part of the International Insurance Whiplash Prevention Group's test procedure and it encourages all manufacturers to fit similar systems."

So there you have it. Saab was still innovating safety as GM took control. Shortly after the introduction of SAHR, ovloV announced it's WHIPS whiplash protection system. They probably marketed it better, too.

The trouble with griffins

[This article was originally published in the Motoring section of The Daily Telegraph on 7 November 2000. The article was written by Peter Dron and is reproduced here for the interest of Saab owners. The copyright for the article is held by The Daily Telegraph.]

I THOUGHT I [Peter Dron] had cleared up the griffin/wyvern controversy, but apparently it became the major topic of conversation at the Vauxhall stand throughout the recent Daily Telegraph-sponsored Motor Show. "What's that badge, dad?" a spotty kid would ask. "That's a wyvern," poor old dad would reply, having been misinformed by me. "No it isn't. It's a bloody griffin," his neighbour would sneer. Numerous fights broke out, spreading to the historic city centre of Birmingham, which was entirely destroyed, causing more than £5 worth of damage.

Having set this feud in motion in August, by innocently noting the curious coincidence that the only car companies in the world sporting griffin symbols - Vauxhall and Saab - are both within the General Motors empire, I was subsequently assailed by experts suggesting that this was not the case, because Vauxhall's vicious monster is not a griffin at all, but a wyvern.

Intensive research followed. Quoting Vauxhall's archivist, and thinking to calm the stormy waters with an application of soothing 20/50, I wrote on October 14 that "Vauxhall's symbol began as a griffin, and evolved into a wyvern. So there we have it. A wyvern is a GM griffin." End of story.

Well, no, not at all. Robert Newsham, of Heysham, Lancashire, disagrees. "A griffin in heraldry and indeed in mythology," he writes, "is a monster consisting of a hybrid of an eagle and a lion, the fore part being an eagle (and, in heraldry, the monster has ears) and the hind quarters those of a lion. Conventionally, this monster is represented as winged. To complicate matters, heraldically there is another form of griffin: called a 'male' griffin; this is as above, but is wingless and has spiky tufts scattered over its body surface. Whilst Vauxhall over the years has stylised its griffin, I would still maintain that it is a griffin and not a wyvern."

Mr Newsham defines the wyvern thus: "It is a completely different heraldic monster - an early form of dragon, similar to those used as standards by the Saxons. It closely resembles the Welsh dragon, but instead of hind legs it terminates in a snaky tail ending in a barb, and is winged. This tail is usually depicted as 'nowed' (knotted), and the monster is covered in scales. Wyverns are fairly common in heraldry."

Anyone examining Vauxhall's emblem must agree with this analysis, and furthermore conclude that, not only is it not a wyvern, but it is a girlie griffin: it has the eagle's head (including optional-extra ears), the lion's body, and the tail is not at all snake-like; also, it has wings, but no obvious scales or spiky tufts (or other dangly bits).

Newsham concludes: "I suggest that the error on the part of the Vauxhall archivist was due to the fact that in the 1950s Vauxhall used the name 'Wyvern' for one of its basic models, the deluxe version being known as the 'Velox'." The latter, of course, was one of those ingenious birds renowned for flying very rapidly backwards, in ever decreasing circles. Now, does that clear everything up, or is anyone for jousting?

The tale of two griffins

[This article was originally published in the Motoring section of The Daily Telegraph on 29 August 2000. The article was written by Peter Dron and is reproduced here for the interest of Saab owners. The copyright for the article is held by The Daily Telegraph.]

If you are fascinated by coincidences, read on, because here's a spooky set of them.

What alerted me [Peter Dron] to it was Saab's announcement that it is redesigning its logo: now that Scania and Saab are no longer associated companies, the car division has unsurprisingly decided to indulge in some literal badge engineering, dropping the Scania name.

The first coincidence is that the only two car companies in the world to use a griffin symbol - Saab and Vauxhall - should end up sharing platforms within a larger corporation, General Motors. But my story is altogether weirder than that.

While erasing from its badge the name Scania, Saab is keeping and indeed enlarging its traditional griffin emblem. Well, it's a tradition that dates all the way back to 1985, when Saab merged with Scania. Yes, the griffin is the truck company's symbol, drawn from its origins in the region of Skane, in southern Sweden.

The Swedish griffin, like Vauxhall's, is derived from medieval heraldry. Before 1985, Saab's badge contained no mythical creatures; instead, it included a stylisation of a twin-engined aeroplane, but there is no point in returning to that, since ties with the aero division have also been severed.

The griffin was a mythical monster, combining a lion's body with an eagle's beak and wings (and in some versions, it had a snake for its tail). One would not wish to meet one of those on a dark night but Saab, understandably, emphasises the positive points about griffins, especially that the beast symbolises vigilance and protection. However, it is worth mentioning also (here is another small, heavily ironical coincidence) that the griffin was traditionally the enemy of the horse.

Vauxhall's griffin, like its name, dates back to the time of King John. I knew that the name Vauxhall was a corruption from Falkes de Breant or Falkes de Breaute, a 13th century knight who sported a griffin on his shield. He may also have been hazardous to encounter on a dark night. His house, Falkes Ball or Fulke's Hall, gave its name to the London district which became famous, and then notorious, for its pleasure garden. The Victorians decided that far too much pleasure was being had there, so they closed it down and built it over in 1859.

Part of the site, in Wandsworth Road, not far from where New Covent Garden market now stands, became the Vauxhall Iron Works. In 1903, the first Vauxhall cars were manufactured there, but within two years the company had outgrown these premises and car production transferred to Luton.

What I had not known was that Fulk's connection with what became Vauxhall was through marriage. His own estate, granted to him by King John, was 40 miles to the north, in Bedfordshire; yes, in Luton, to be precise, and the Vauxhall Iron Works' choice of that town as a suitable place to build cars was apparently completely coincidental. I wonder if Fulk ever travelled to southern Sweden for a spot of pro-celebrity jousting?

The Many Faces of Eric Gill - the Gill Sans font

The typographical font used by Saab (and John Lewis, amongst others) is known as 'Gill Sans' and was designed by artist Eric Gill. The following article was published in Saab Torque magazine, Spring/Summer 2001 edition.

On the face of it, the world of typographic design may appear dull and lifeless. But take a look at Eric Gill, probably best known as the designer of the typeface Gill Sans (as used by Saab), and we find a man seemingly unknown directly by the general public, but a "genius" and an "icon" to many.

Eric Gill was only fifty-eight when he died after an operation for lung cancer on 17 November 1940, yet he already seemed a grand old man.The energies needed to be both a critic of society and the supporter of an extended family, an artist who did not subscribe to 'art-nonsense', and a craftsman who also had to organize a large workshop, doubtless wore him out.

Penguinbook Penguin Books used the Gills Sans typeface developed by Eric GillI in his short life, Gill did many things and some of them to excess. We are told that his sexual activities were certainly excessive; he seems to have exercised a "droit de seigneur" over virtually all the female members of his entourage. He also wrote too much. D H Lawrence wrote of him, when reviewing Gill's 'Art-Nonsense': "Mr Gill is not a born writer, he is a crude and crass amateur. Still less he is a born thinker . Gill accepted this criticism, but continued to tumble into print on the slightest pretext.

But when, to adapt his own phrase, he drew or carved his thoughts, instead of writing them, he was a master - both in terms of traditional sculpture of human as well as typographic figures. Gill did not consider himself an artist, but rather a workman.The clear evidence that he was more than just that made him romanticise the idea of the workman, and reclassify the artist. He was fond of quoting Ananda Coomaraswami's dictum, "An artist is not a special kind of man, but every man is a special kind of artist". He never came to terms with the idea that he was an unusually talented man.

LNER used the Gills Sans typeface developed by Eric Gill. From the mid 1920s to the mid 1930s, Eric Gill designed many typefaces and type families, the three best known are Perpetua, Gill Sans and Joanna. Out of those three, Gill Sans is probably his best known and most widely used, It was around this time that the art movement, Bauhaus, was sweeping across Europe with it's motto of "form follows function", the basis of Saab's brand ethos, and it was with this in mind that Eric Gill designed the clean, geometric design that is Gill Sans. This refreshing new design was quickly adopted by the LNER (London and North Eastern Railway) and made famous on countless railway posters, the designs of which were largely unchanged until the late 1960s.

Another large scale application which carried a torch for Gill Sans, was in its use on the covers of the classic Penguin paperbacks -and it appears in two other classic designs, the original Shell logo and Cadbury's Dairy Milk Chocolate bar.

Eric Gill's "Gill Sans" typeface is now used by Saab. Yet despite his outstanding talent and success as a typeface designer he was a workman at heart, it was inscriptional stone work where he felt most at home. "Stone Carver" was his own description of himself on his gravestone.

Saab VIN Decoder

The VIN, or vehicle identification number, is unique to any vehicle. Sometimes referred to as the chassis number, the VIN contains a great deal of information about a given vehicle, not just Saabs, provided that you know how to decode it.

With the advent of the internet, it has never been easier to share a wealth of information that was once the preserve of a few.

Here at Elkparts we already have, amongst other things, the means to decode Saab VINs. This helps us ensure that customers receive the correct parts for Saabs.

Whilst dealing with Mr Johanson's VIN, today, I stumbled across a neat little site. Nice and simple, no fuss, no bother, does exactly what it says on the webpage: www.saabvin.com

They have even made it possible for me to add a Saab VIN gadget at the side of the page. Take a look, give it a go. It is pretty useful!